The world of Mara and Lena, two no longer girls, not yet women, is a world where, just like Barbie, they can be anything they want. And that’s where all their similarities with Barbie<\/i> (2023) end, although when we asked them for their opinion on the movie, they said that they laughed at some of the jokes, but Daisies<\/i> (1966) is still their favorite movie because Marie and Marie they still screw up with old farts better. They don’t play with barbies anymore, and they haven’t had their first period yet. The rules of their game are stupid. <\/p>\n
Mara and Lenu’s humor is blacker and more politically incorrect than Barbie’s, because Mara and Lenu make fun of chauvinistic jokes, absurd examples of the degradation of women around the world, terrible stories from the domestic Croatian context with equal fervor, and do not miss any opportunity to put down each other or themselves. . They are deliberately irritating, lying, immature manipulators who whine, lie, over-groom and act badly. They are all witches. <\/p>\n
The play enters into a dialogue with the current climate in Croatia and its related terribly postmodern horrible societies, in which men kneel for the lost chastity of women, and one woman experiences a public lynching because she wants to save her life with an abortion. Mara and Lena fart and burp at such a world, because they can afford it, because they are little girls who don’t even know anything about the world yet, or that’s exactly what’s cool about it. <\/p>
Acknowledgements: Vera Chytilov\u00e1, Hana \u0106urak, Silvia Federici, Goethe-Institut Kroatien, Ma\u0161a Grde\u0161i\u0107, Paula Juri\u0107, Lana Pukani\u0107, Olja Savi\u010devi\u0107 Ivan\u010devi\u0107, Dora \u0160usti\u0107, Dubravka Ugre\u0161i\u0107, Natalie Wynn, Jasna Jasna \u017dmak<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”et_body_layout”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”5px||||false|false” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”et_body_layout” sticky_enabled=”0″]
Female author team:<\/p>\n
Dramaturge of the female performance<\/p>\n
Co-authors of the female performance and the main and secondary female roles<\/p>\n
Producer of the female production<\/p>\n
Collaborator for the women’s stage movement<\/p>\n
Costume designer of women’s costumes<\/p>\n
Women’s costume design assistant<\/p>\n
Female sound<\/p>\n
Female light<\/p>\n
Co-producer of the female production<\/p>\n
Female production assistant<\/p>\n
Dressmaker of womans costumes<\/p>\n
designer of female design<\/p>\n
Photographer of women’s photography<\/p>\n
Production<\/p>\n
Premiere<\/p>\n
The world of Mara and Lena, two no longer girls, not yet women, is a world where, just like Barbie, they can be anything they want. And that’s where all their similarities with Barbie (2023) end, although when we asked them for their opinion on the movie, they said that they laughed at some of […]<\/p>\n","protected":false},"author":1,"featured_media":2474,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[9],"tags":[],"class_list":["post-2700","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/posts\/2700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/comments?post=2700"}],"version-history":[{"count":1,"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/posts\/2700\/revisions"}],"predecessor-version":[{"id":2701,"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/posts\/2700\/revisions\/2701"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/media\/2474"}],"wp:attachment":[{"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/media?parent=2700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/categories?post=2700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/tags?post=2700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}