{"id":2682,"date":"2022-05-03T11:46:08","date_gmt":"2022-05-03T11:46:08","guid":{"rendered":"https:\/\/www.kunstteatar.hr\/project\/the-good-the-bad-and-the-dead-2-hell\/"},"modified":"2023-11-16T11:41:53","modified_gmt":"2023-11-16T11:41:53","slug":"the-good-the-bad-and-the-dead-2-hell","status":"publish","type":"project","link":"https:\/\/www.kunstteatar.hr\/en\/project\/the-good-the-bad-and-the-dead-2-hell\/","title":{"rendered":"The Good, the Bad and the Dead 2: Hell"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||10%||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_post_title meta=”off” featured_image=”off” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_post_title][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.17.3″ _module_preset=”default” custom_margin=”5px||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

The play The Good, the Bad and the Dead 2: Hell, written by Pavle Vrkljan, is a direct sequel to the play The Good, the Bad and the Dead, the very first play of KunstTeatar, which follows the last day in the life of the main character Dubravko Ili\u0107, tricked into Hell after his death. The story continues in Hell, where Dubravko Ili\u0107, after being assigned accommodation and a job, tries to find a way to get to Heaven. The topos of Hell is a frequent destination of human imagination throughout numerous artistic periods, with each new staging of this world offering a multitude of recognizable comparative motifs, as well as a place for establishing a different relationship towards death, the only inevitable moment of our life, a moment that Dubravko Ili\u0107 skillfully bypasses and postpones, creating the basic narrative thread of this story. The hell that Dubravko Ili\u0107 ends up in is comprised of pop-culture patterns recognizable from science fiction films, binary schemes of political divisions, stereotypical representations of family and work relationships, and the categorization of human abilities through statistical questionnaires. Special significance in this construct of Hell is placed on the use of historical and well-known figures who happened to end up in this particular Hell, and encounters with them that would not have been possible in real life. The play can be watched as a stand-alone piece \u2013 familiarity with the first part is an experiential upgrade to the overall experience. Along with the preparation of the play, a two-month KUFERedu dramaturgical workshop was held for students of dramaturgy or recently graduated dramaturgs, in which Anamarija Budimir, Petra Jela\u010da, Emma Kliman, Bla\u017e Ordani\u0107, Petra Ple\u0161e, Mateja Posedi, Filip Ruti\u0107, Vida Zeli\u0107 participated. <\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”5px||||false|false” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n

playwright<\/span><\/h6>\n
Pavle Vrkljan<\/span><\/h5>\n

director<\/span><\/p>\n

Ivan Planini\u0107<\/span><\/p>\n

cast<\/span><\/h6>\n

Matija \u010cigir, Domagoj Jankovi\u0107 and Pavle Vrkljan<\/span><\/p>\n

on video projections<\/span><\/h6>\n
Iskra Jirsak and Nik\u0161a Marinovi\u0107<\/span><\/h5>\n
dramaturge<\/span><\/h6>\n

Ivan Penovi\u0107<\/span><\/p>\n

costume designer and stage designer<\/span><\/h6>\n
Katarina Peri\u0107<\/span><\/h5>\n
light designer and videographer<\/span><\/h6>\n
Ivan Lu\u0161i\u010di\u0107 Liik<\/span><\/h5>\n
music<\/span><\/h6>\n
Nik\u0161a Marinovi\u0107<\/span><\/h5>\n
sound designer<\/span><\/h6>\n
Luka Gamulin<\/span><\/h6>\n
producer<\/span><\/h6>\n
Romana Braj\u0161a<\/span><\/h5>\n
production assistants<\/span><\/h6>\n
Hana Zrn\u010di\u0107 Dim, Bojan Valenti\u0107<\/span><\/h5>\n
light designer<\/span><\/h6>\n
Alen Marin<\/span><\/h5>\n
design<\/span><\/h6>\n
Verlauf<\/span><\/h5>\n
photographer<\/span><\/h6>\n
Karla Juri\u0107<\/span><\/h5>\n
production<\/span><\/h6>\n
KUFER Theater Company and KunstTeatar<\/span><\/h5>\n
premiere<\/span><\/h6>\n
May 8, 2022
<\/span><\/h5>\n
duration<\/span><\/h6>\n
80 minutes<\/span><\/h5>\n

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The play The Good, the Bad and the Dead 2: Hell, written by Pavle Vrkljan, is a direct sequel to the play The Good, the Bad and the Dead, the very first play of KunstTeatar, which follows the last day in the life of the main character Dubravko Ili\u0107, tricked into Hell after his death. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[],"project_tag":[],"class_list":["post-2682","project","type-project","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/project\/2682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/comments?post=2682"}],"version-history":[{"count":2,"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/project\/2682\/revisions"}],"predecessor-version":[{"id":2684,"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/project\/2682\/revisions\/2684"}],"wp:attachment":[{"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/media?parent=2682"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/project_category?post=2682"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.kunstteatar.hr\/en\/wp-json\/wp\/v2\/project_tag?post=2682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}